→ The Artist's Ground
Junié
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Every mark begins with defiance of silence, of tradition, of the frame itself. Junié works between eras: oil, paper, pigment but never reverent. This is no gallery. It’s a working room. The kind where hands stay stained, ashtrays stay full, and the piece decides when it’s done..
Where color collides with conviction
An Artist’s Studio
→ Portrait of the Artist
Filed: Junié Studio, 2025
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Welcome to Junié. A working space built on instinct, discipline, and material memory. The studio specializes in hand-worked originals canvas, pigment, paper, and form created with deliberate pace and lasting intent. Each piece belongs to a lived process, made to hold presence over time. If you’re seeking custom work or looking to commission a new series, you’re in the right place.
A studio for creation, commission, and collected work.
Artist's Ground
the
→ The Artist Observed
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Read Her Full Bio
I was born just beyond the vineyard walls of Château La Coste, where sculpture fields and silence shaped my earliest sense of form. I work primarily in oil, pigment, and pencil always on raw ground, always by hand. My practice moves at the pace of interruption: the quiet between ideas, the tension before execution. I focus on portraiture, though not always in the way people expect. Sometimes it’s the subject I remember. Sometimes just the shadow they left behind.
Today, I live and work in Provence surrounded by unfinished canvases, ashtrays, and the kind of light that doesn’t ask for attention.
A practice shaped by place, pigment, and restraint.
Portrait of the Artist
→ Collected Impressions
INSIGHTS & DISCOVERIES
The Red Studio Record
A raw studio collection from Rue des Martyrs: canvases, palette scraps, and film stills in one held breath.
→ Rue Martyrs, Red
The Table is a Frame
Fragments of shared meals on canvas portraits shaped by food, gesture, and memory.
→ Second Table
Studies for No One
Charcoal and pencil works made at dawn. Unfinished. Unnamed. Meant to stay that way.
→ Palm to Graphite
The Painter’s Sentence
A five-part portrait study in oil and silence. Painted slowly, with restraint, and exhibited in Aix en Provence.
→ A Trace Repeated
But some frames carry their own insistence images that return, interrupt, or quietly stay. The selections below offer a closer view into Junié’s ongoing body of work: some finished, some still in process, all held with intention.
A studio is not a gallery
THE ARTIST OBSERVED
→A Closing Gesture
WHAT REMAINS
Collected
Impressions
— Elise Carter
“I’ve purchased two of her pieces now. They sit in different rooms, but speak to each other. You don’t decorate with her work. You live beside it.”
03. From a Repeat Buyer in London
— Margot van Eyck
“We selected one of Junié’s early works for the foyer. Visitors stop in front of it without realizing they’ve stopped. That’s what her work does it interrupts without asking for permission.”
02. From a Curator in Antwerp
— Luc Tremblay
“I didn’t buy the painting because I understood it. I bought it because it stayed with me for days after seeing it. It hangs opposite my kitchen, and somehow, it still unsettles me in the best way.”
o1. Collected Impressions
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Get in Touch
Whether you’re writing with a question, a commission inquiry, or something less defined this is where the conversation begins. Messages are read with care, and every reply is considered. The studio welcomes curiosity, collaboration, and collectors who value slow, intentional work.
Enter the Journal
A journal of studio life, process notes, and works in progress. These entries hold what doesn’t always make it to the canvas unfinished thoughts, material experiments, and quiet discoveries from inside Junié’s world. For collectors, students, and those simply curious, this is where the story continues.
In Final Light
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